 Age: 28 Selection: "Chuck Berry: Rocker,
Legend, Landlord" (page 104) Recent review (from 8-Track
Mind): "The most interesting, non-clichéd music
mag." (From Lumpen
Times): "Do not make the mistake of thinking this is
some cheap little shit zine. It's just too weird to be bad and
so idiosyncratic that it's good." Sample: $4 from 1507 E. 53rd. St., PMB
617, Chicago, IL 60615 (checks: Jake Austen)
When did you launch your zine? What inspired you to do so?
I started the zine in 1992.
In mid-1991 some punk kids were talking about starting a zine
in Providence (where I was living) and asked me if I wanted to
do something for it. The great, bohemeth-esque rockabilly singer
Sleepy LaBeef was playing in a Chinese restaurant, so I got some
friends to go with me and interview him. Of course, being punk,
that proposed zine never happened. So after a while I decided
to do my own zine to print that interview. I figured I knew enough
outstanding comics writers and artists whose work was far better
than most stuff you see in underground and mainstream (especially
mainsteam press, and also since 99 percent of music mags are
boring as shit I thought it would be easy to do outstanding work.Why publish a zine?
To entertain and inform myself
and others. What can you tell us about the selection you provided for
"The Book of Zines"?
There's a theory that many
zine editors work with. At some point, everyone you know will
tell you a great story that fits in with your theme, be it music,
Asian culture or dishwashing. Thus, everyone you know could contribute
at least one outstanding piece. Skippy Lange is a good writer,
so I didn't have to do much editing, but like many contributors
whose skills come from being interesting, rather than from getting
a journalism degree, he sent his piece to me handwritten on about
50 sheets of looseleaf paper. Also, this shows how an interview
doesn't have to be with a star to be a compelling read. Do you publish any other zines?
I've published mini-comics
about monsters, baseball, lowbrows, The Phantom and Houdini. Any general tips for aspiring zinesters?
Do whatever you want, but
if you do something that not a lot of people are going to like
don't expect to get it distributed, or to sell a lot, or to get
a ton of mail. Of course, that stuff isn't too important, but
don't gripe. Also, steal as much cost-items (Xeroxing, paper,
glue, computer/scanner time, etc.) as possible. What's your favorite part of doing a zine?
Making friends with strange
people. In my other life, I'm a:
Dog and cat handler. Fan
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